About Me

My Photo
Leipzig / Germany and Winterthur / Switzerland
We all carry images within us that randomly catch our eye as we experience things by chance. Uncovering these casually noticed images is the subject of my work. I often start with photos taken “by chance”, which I transfer using analog and digital methods into color and contrast compositions – this not only strengthens reality, it also puts it into perspective, expressing both anonymity and subjectivity. The multipurposeness of paper and the dilution of colors also play an important role in my work. For example, using gravure printing with photopolymer plates enhances the statement of each image, making the images irritating and – as consequence of the haptic presence of the subject – more lively and personal, but also very vulnerable

10 May 2013

break


2013 © Thomas Widmer

Oil on paper, 30 x 40 cm

#s 1/2/3

 



2013 © Thomas Widmer

Oil on paper, each 20 x 30 cm

29 April 2013

and another


2013 © Thomas Widmer

Oil on paper, 50 x 32.5 cm

23 April 2013

followed by less



2013 © Thomas Widmer
 
Oil on paper, 32.5 x 50 cm

22 April 2013

more colors



2013 © Thomas Widmer
 
Egg tempera and indian ink, 27 x 36 cm

17 April 2013

spring day



2013 © Thomas Widmer
 
Acrylic. 20.6 x 19.4 / 20 x 23 / 17.2 x 24.9 cm

nearby underpasses




 
2013 © Thomas Widmer

Some more workings for my qualifications. Indian ink, 28 x 38 or 38 x 57 cm

15 April 2013

my 2nd litography



2013 © Thomas Widmer

new furniture

 


Spent another week in Leipzig and made my studio a little bit more cozy

12 April 2013

short notice


Some of my work is on display in Radolfszell / Germany. The exhibition will run till mid September 2013


26 March 2013

lost stone



2013 © Thomas Widmer

Added another color to the litography I recently started, using the "lost stone" technique. Plan to add at least another one in the next couple of weeks

another litography ready for print



2013 © Thomas Widmer

growing work


2013 © Thomas Widmer

Continuing with the work for my qualifications. Meanwhile did more than 50 drawings with indian ink in the formats 28.5 x 38.5, 38.5 x 57, 57 x 76 cm

scraping II

 

2013 © Thomas Widmer


Another "false mezzotint" in progress, with different states(21 x 16 cm)

scraping I

 
 

2013 © Thomas Widmer


Continued with a "false mezzotint", above is showing different states of the same plate (16 x 16 cm)

finger exercises

 
 
 
 


2013 © Thomas Widmer

"Five minutes" finger exercises. Different formats, all in charcoal

01 March 2013

false mezzotint and lithography

 


2013 © Thomas Widmer

Currently working on another "false mezzotint" and my first lithography, using a pattern also done in indian ink. Focus is to find out the characteristics of different techniques
 
(1st lithography [wip], 2nd false mezzotint [wip], 3rd indian ink)

26 February 2013

catch a monkey

 
2013 © Thomas Widmer
 
Charcoal on paper - 29.8 x 42 cm



13 February 2013

practicing more

 
 

2013 © Thomas Widmer


Some more studies in charcoal on paper - 29.8 x 42 cm

06 February 2013

variations


 
2013 © Thomas Widmer

I am back to my current project for which I will draw a serie of pictures in indian ink. The above shows one subject for which I meanwhile did three different variations (all 38 x 57 cm)

mezzotint


2013 © Thomas Widmer
 
Mezzotint is an edging technique that works from dark to light, by "polishing" areas of the black plate to get tones

a simple landscape to study the effect of colors


2013 © Thomas Widmer
 
Color studies based on 3 plates done in aquatint (16 x 16 cm)

practicing


 

 
2013 © Thomas Widmer


Some studies in charcoal on paper - 29.8 x 42 cm / 42 x 59.5 cm